Some 2026 / 2027 Events

• October 29 – November 1, 2026 – Melancholy Play. My incidental music for cello features in Sarah Ruhl's Melancholy Play, directed by Jodi I. Kanter, at the Flagg Building's Hammer Auditorium in Washington, DC.

• November 14, 2026 – Etude on Pymalion. counter)induction performs my Etude on Pymalion for clarinet and cello at the Tenri Cultural Institute, NYC — drawn from an ars subtilior ballade in the Torino Codex retelling the Pygmalion myth. Program also includes poetry by Marlanda Dekine, a new work by Kyle Bartlett, and David Sanford's Metropolis III.

• February 26 & March 18, 2027 – Triquetra. counter)induction premieres my new trio for violin, guitar, and cello — a caccia of evolving interplay among the three instruments — in Pittsburgh (Feb 26) and New York City (March 18).

• First Week of March 2027 – Partita No. 4 "The Duchess." My solo guitar work, drawing on an unset Machaut poem on falconry and the Prayer Book of Bonne of Luxembourg, performed across DC and Baltimore venues by Tom Clippenger.

• Spring 2027 – The Cunning and Folly of Reynard the Fox (date/location TBD). A three-movement chamber work for baritone guitar, percussion, and alto saxophone, engaging the medieval Reynard cycle through abstract musical architecture rather than programmatic illustration.