Floruit Egregiis pays tribute to scholar M. Jennifer Bloxam by reworking melodic material from 15th/16th century masses she studied, including a reconstructed plainchant. Bloxam's name is also translated into a recurring theme using the Renaissance device of soggetto cavato. The intricate interweaving of sources reflects the composer's evolving understanding of music's historical layers, sparked by studying with Bloxam.

More information on the work can be found HERE.

Mor thoughts on my historicist works can be found HERE.