As with the work on string quartets hare are a few interesting works for chamber wind ensembles. Before we engage with them of possible models for composition, let’s do the same ‘cataloging’

• 𝜿 : a summary of the history

• T : if the work is 'about' or 'around' something, name it and describe the relationship.

• ε : your initial take on the 'mood' or affect

• 𝜏 : interesting technical features that you notice

• Ⱶ : anything you have uncovered regarding how people fit the work into the big context of 'string quartets', 'classical music', and 'music'.