Portamento
Phase 1
1a | in two keys (neither C)
1b | in two keys (neither C)
LH : do-re-mi-fa-sol-(sol)-do
RH: diatonic triads least motion voicings, constant with the bass
Fluent labeling of the triads (RQI & RN)
1b | in two keys (neither C)
LH : do-ti-la-sol-(sol)-do
RH: diatonic triads least motion voicings
Fluent labeling of the triads (RQI & RN)
Phase 2
2a | in three keys (including the two from Phase 1)
LH : do-re-me-fa-sol-(sol)-do in two keys,
RH: diatonic triads least motion voicings
Fluent labeling of the triads (RQI & RN)
2b | in three keys (including the two from Phase 1)
LH : do-te-le-sol-(sol)-do in two keys,
RH: diatonic triads least motion voicings
Fluent labeling of the triads (RQI & RN)
Phase 3
3a | in 4 keys
LH : do-re-mi-fa-sol-(sol)-fa-mi-re-do in two keys,
RH: diatonic triads least motion voicings
Fluent labeling of the triads (RQI & RN)
3b | in 4 keys
LH : do-ti-la-sol-(sol)-la-ti-do in two keys,
RH: diatonic triads least motion voicings
Fluent labeling of the triads (RQI & RN)
Phase 4
4a | in 5 keys
LH : do-re-me-fa-sol-(sol)-do in two keys,
RH: diatonic triads least motion voicings
Fluent labeling of the triads (RQI & RN)
4b | in 5 keys
LH : do-te-le-sol-(sol)-la-ti-do in two keys,
RH: diatonic triads least motion voicings
Fluent labeling of the triads (RQI & RN)
possible future work
warp and weft
texture as the lost technics of composition
pocket Botstein
a way to hear the 20th century
Better Know Your Sonatas
Be a baller like Clementi; Understand the difference between form and structure